Press Kit
‘Bridge To Infinity’ is the recording debut of Karina Corradini, a very talented and versatile singer who is equally skilled at straight ahead jazz, ballads, boleros and Latin American classics. Her beautiful tone, powerful voice, highly appealing jazz phrasing, ability to scat at even the fastest tempos, and warmth when caressing ballads make her one of the most promising singers on the jazz and Latin jazz scenes today.
Karina Corradini was born and raised in Buenos Aires, Argentina, in a neighborhood by the La Plata River, in San Isidro, one hour away from downtown Buenos Aires. She started out with conventional tastes in music, enjoying the Beatles and the Bee Gees before she discovered Brazilian music. “I started to pay attention to what was called ‘Tropicalismo’ and was crazy for Caetano Veloso, Gilberto Gil and Gal Costa. A bit later I discovered my all-time favorite, Elis Regina. I also really liked Nat King Cole, with his sweet American accent as he sang Latino tunes. When I was 15 years old, I met a group of young musicians who introduced me to jazz through Pat Metheny. I also listened to Paco de Lucia, John McLaughlin, and Al DiMeola and was very much into Egberto Gismonti and Lyle Mays as well. But then, after discovering the duets of Ella Fitzgerald and Louis Armstrong, I realized that that was the music I wanted to sing, and if I only could sing a little like Ella, my purpose in life would be totally fulfilled.”
She began singing professionally when she was 18, leading her own jazz sextet, ‘Karina Corradini and the Summer Band,’ which performed at the beach, bars and restaurants during the summer. When the summer season ended, she sang on Corrientes Avenue in Buenos Aires, including a twice a week engagement for two years that often ended up as a jam session with veteran musicians. Karina worked at many venues (including the Teatro Coliseo, Jazz Club de la Plaza, the Thelonious Bar and Clasica y Moderna), and also twice toured Southern Brazil with her group. By the time she decided to move to the United States in 1999, she was among the busiest jazz singers in Buenos Aires. Even now, when she returns to Argentina each year to visit family, she is always welcomed to perform at major jazz clubs.
“I moved to Los Angeles to learn Ella Fitzgerald’s language, and to study music in the land of jazz.” Karina attended Rhiannon’s workshop three times, seminars by Sheila Jordan, Mark Murphy and Kevin Mahogany, and studied music at Los Angeles City College and art El Camino College. After performing with a rhythm and blues band for a year, she formed her own jazz group and has since performed at a countless number of clubs, restaurants, concerts and festivals, mostly in Southern California.
The story behind the release of ‘Bridge To Infinity’ includes a lot of highs and lows for the singer. The first high, no doubt, was “One of the first people who I mentioned my idea to was my dear friend Christian McBride. He not only got excited for me but also wanted to be part of the project!” The great bassist—who would become the album’s producer and main arranger—was not immediately available, so Karina recorded six songs on a demo with pianist Mahesh Balasooriya, bassist Rene Camacho and drummer Marvin “Smitty” Smith. She used the arrangements of Eric Bulling—who had been the writer for the Ella Fitzgerald album Ella Abraça Jobim. The results were so rewarding that those performances are also included on the CD. When Corradini and McBride finally got together in the studio with tenor and alto saxophonist Zane Musa, trumpeter Nolan Shaheed, pianist Mahesh Balasooriya, drummer Marvin “Smitty” Smith, and percussionist Munyungo Jackson, the other nine songs were completed in just two days. “It felt like a big party and was fun all of the time. All of those musicians are incredibly talented. But just as important to me, all of them have warmth, are non-judgmental, have an open minded vibe, and have a great deal of humanity.”
The wide-ranging program includes swinging standards (“You Turned The Tables On Me,” “Until I Met You,” and “Lover Come Back To Me”), boleros (“What A Difference A Day Makes” and “Tu Mi Delirio”), a tribute to Elis Regina (“Cai Dento”), bossa-novas (“Doralice” and “Voce E Eu”), and romantic ballads (“I Could Have Told You” and “If You Went Away”). Karina had one of her mentors, pianist Howlett “Smitty” Smith, guest on his original “When The Time Is Right,” and guitarist Barry Zweig is on two numbers including the uptempo “I’m Gonna Lock My Heart And Throw Away The Key.” Throughout the set, Karina’s singing is both inventive and beautiful while Zane Musa’s contributions consistently uplift the music.
Unforeseen developments and tragedies resulted in the release of ‘Bridge To Infinity’ being stalled until now. Karina caught a serious fungus, Systemic Candidiasis, that resulted in her being ill for three years until, through research and the help of a nutritionist, she cured herself. In 2015, her close friend Zane Musa died in an accident. And Karina later fell down a flight of stairs in Argentina, breaking a wrist and suffering from chronic pain syndrome for a year. Fortunately she is now fully recovered and quite active on the music scene.
“After all of that, 2018 is finally my year. I cannot believe that the project is finished and now everyone can hear it. I hope listeners really enjoy it. It is dedicated to the genius of Zane Musa.” While Karina recorded a demo with the Tom Garvin Trio in 2001 (which made it possible for her to be hired for many jobs) and an unreleased CD in 2005 that included her good friend the late bassist Jorge Pasquali, ‘Bridge To Infinity’ is her first recording to be released to the general public. Finally listeners who live far beyond Southern California will get to appreciate her wonderful voice, musical talents and ability to make every song sound as if it was written for her.
‘Bridge To Infinity’ is the recording debut of Karina Corradini, a very talented and versatile singer who is equally skilled at straight ahead jazz, ballads, boleros and Latin American classics. Her beautiful tone, powerful voice, highly appealing jazz phrasing, ability to scat at even the fastest tempos, and warmth when caressing ballads make her one of the most promising singers on the jazz and Latin jazz scenes today.
Karina Corradini was born and raised in Buenos Aires, Argentina. She began singing professionally at age 18, leading her own jazz sextet to perform at summer beach bars and restaurants. After that summer, she sang on Corrientes Avenue in Buenos Aires, including a twice a week engagement for two years that often included a jam session with veteran musicians. Karina worked various venues (including the Teatro Coliseo, Jazz Club de la Plaza, the Thelonious Bar and Clasica y Moderna) and twice toured Southern Brazil with her group.
At the time she moved to the United States in 1999, she was among the busiest jazz singers working in Buenos Aires. Even now, when she returns to Argentina each year to visit family, she is always welcomed to perform at major jazz clubs in Buenos Aires.
“I moved to Los Angeles to learn Ella Fitzgerald’s language, and to study music in the land of jazz.” Karina attended Rhiannon’s workshop three times, seminars by Sheila Jordan, Mark Murphy and Kevin Mahogany, and studied music at Los Angeles City College and art at El Camino College. After performing with a rhythm and blues band for a year, she formed her own jazz group and has since performed at a countless number of clubs, restaurants, concerts and festivals, mostly in Southern California.
For making her first CD, ‘Bridge To Infinity,’ includes many highs and lows for the singer. The first high, no doubt, was “One of the first people who I mentioned my idea to was my dear friend Christian McBride. He not only got excited for me but also wanted to be part of the project!” In fact, the great bassist, would become the album’s producer and main arranger.
However, with Christian’s busy schedule, he was not immediately available. So Karina recorded six songs on a demo with pianist Mahesh Balasooriya, bassist Rene Camacho and drummer Marvin “Smitty” Smith. Using arrangements of Eric Bulling—who had been the writer for the Ella Fitzgerald album Ella Abraça Jobim—the results were so rewarding that those performances are also included on the CD. When Corradini and McBride finally got together in the studio with tenor and alto saxophonist Zane Musa, trumpeter Nolan Shaheed, pianist Mahesh Balasooriya, drummer Marvin “Smitty” Smith, and percussionist Munyungo Jackson, the other nine songs were completed in only two days.
The wide-ranging program includes swinging standards, boleros, a tribute to Elis Regina, bossa-novas, and romantic ballads. Also included is one original from her mentor, pianist Howlett “Smitty” Smith. Karina’s singing is both inventive and beautiful, while Zane Musa’s contributions consistently uplift the music.
‘Bridge To Infinity’ is her first recording to be released to the general public. Finally listeners who live far beyond Southern California will have the chance to appreciate her wonderful voice, musical talents and ability to make every song sound as if it was written for her.
‘Bridge To Infinity’ is the recording debut of Karina Corradini, a very talented and versatile singer who is equally skilled at straight ahead jazz, ballads, boleros and Latin American classics. Her beautiful tone, powerful voice, highly appealing jazz phrasing, ability to scat at even the fastest tempos, and warmth when caressing ballads make her one of the most promising singers on the jazz and Latin jazz scenes today.
Karina Corradini was born and raised in Buenos Aires, Argentina. She began singing professionally when she was 18, leading her own jazz sextet, she also twice toured Southern Brazil with her group. By the time she decided to move to the United States in 1999, she was among the busiest jazz singers in Buenos Aires. Karina took lessons and attended seminars with some of the biggest vocal jazz masters in the world, and also studied music at Los Angeles City College. She performed with her own group at a countless number of clubs, and festivals, mostly in Southern California.
For the making of ‘Bridge To Infinity,Tribute to Zane Musa’, Karina teamed up with great bassist Christian McBride, who is the album’s producer and main arranger. The wide-ranging program includes swinging standards, boleros, a tribute to Elis Regina, bossa-novas, and romantic ballads.
Photos
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